Hauser and Wirth, 511 W. 18th St., has a spectacular exhibition of Subodh Gupta, acclaimed as the Damian Hirst of India. Everyone has been very impressed with the first piece encountered: This is Not a Fountain (see above left) which displays a huge mound of well-used pots and pans with continuously re-circulating flow of water from pipe-mounted faucets throughout. Such cook-ware, in middle class Indian families, up until recently was likely passed from generation to generation and the wear and tear, as well as repairs attest to how essential, and valued, these may be, along with fresh water for cleaning and the renewal of life. There are also fool the eye sculptures and paintings that abound with symbolism and history which attest to the artists prodigious and diverse talents, along with the installations for which he is best known. Gupta’s rise to prominence is in keeping with India becoming a first class player in the world economy, edging up to China in rivalry, and meriting a significant market now for both its modernist and contemporary art.
At 550 W. 21st St., Skarstedt presents “Keith Haring: Heaven and Hell”, featuring giant works in fluorescent acrylics (see one example above on right). These include the artist’s boldly stylized images of televisions with the atomic symbol, vintage computers in densely populated compositions. Here, mutations of sexuality and species in an apocalyptic vision express Haring’s anguish in confronting what proved to be his ultimate demise from aids. Paradoxically, the colors couldn’t be more cheerful.
At Gagosian, at 522 W. 21st St. is the type of highest quality museum survey we have come to expect, considering the gallery’s history : John Elderfield, famed as Curator for MOMA, has put together In the