Photographer Bob Chilton attended one of the Artful Circle Pop-Up events to the Hamptons this summer. On August 3rd, we toured the Parrish Museum in Water Mill and then visited the nearby studio and gardens of Long Island artist Bruce Lieberman. Chilton was especially inspired by Lieberman’s creative workspace. He truly captured the artistic spirit,
By Franklin Hill Perrell
From the moment you arrive at the new Whitney Museum of American Art, you can tell that this is unlike any museum you’ve previously visited. The new building looks like a gigantic twisted ship- container ship or ocean liner variously, berthed in the Meat Packing District. The nautical theme is no accident:
Renzo Piano was commenting not only the site itself and its splendid river exposure and views, but also the old sail makers lofts that dominated the area in the days when Herman Melville earned his living as a scrivener in the customs house.
The location is serendipitous: the area- at the edge of the historic row houses of the west village and centered in its own milieu of dramatically re-purposed nineteenth century warehouses and wholesale butchers, which exudes unexpected charm, with cobble stone streets, the Standard Hotel (like a leisure-themed version of Le Corbusier’s UN) and its outdoor dining under the Pergola, and the Highline itself, whose very base is the Whitney’s plaza. Serendipitous as well, the proximity to Chelsea doubles the potential action.
When you arrive at the Whitney, you see a plaza occupying almost half the block and an open expanse westward toward the Hudson River. The first floor is see-through, and Renzo Piano’s concept is that this space would be like an Italian city square enabling potential engagement for all.