By Jennifer Merz www.jennifermerz.com
April 23rd, 2015
Yesterday, I had the pleasure of joining an Artful Circle Tour (www.artfulcircle.com) for a trip to some blue-chip 57th Street galleries in Manhattan. I was the invited guest of Debbie Wells, with whom I gave my Triangle Factory talk for the Art League of Long Island, and her business partner Franklin Hill Perrell, a very intelligent and distinguished art curator who was as informative as he was entertaining. It was an afternoon of Artful fun, and now you are invited to come on this armchair tour with me! Continue reading An Artful Afternoon
by Franklin Hill Perrell
Richard Estes finally is accorded a feature exhibition at a New York Museum. Bravo to the Museum of Arts and Design! In reading Ken Johnson’s review, NY Times, Friday, March 20, the critic suggests that Estes and his photo-realist colleagues revive the veneration for bravura technique associated with the era of Bougureau and Gerome, the stars of the French salon who were supplanted by the Impressionists. While Johnson acknowledges the “spirituality and morality” of Estes art, he implies that its detail and veracity contrasts with 20th century modernists who de-emphasized if not abandoned technique. My question is, what happened in between? Continue reading Richard Estes: Painting New York City
by Debbie Wells
Artful Circle took our groups to visit Chelsea to kick off our first session of our Art Gallery Spring Series. One of the highlights was to Danese/Corey to see the original drawings, tapestries, and pysanka (dyed eggs) by Roz Chast. A cartoonist with over a thousand works printed in The New Yorker since 1978, her art epitomizes our lives today – filled with family relationships, humor, technology, worry and wit. Chast, age 61, was born in Brooklyn and received a BFA in from Rhode Island School of Design. Her working relationship with The New Yorker started almost immediately, as well creating editorial cartoons for countless publications and authoring and illustrating her own books over the years. Continue reading Artful Circle Report on Roz Chast
by Franklin Hill Perrell
Astonishing as a work of art, Gustav Klimt’s quintessential masterpiece, “Adele Bloch-Bauer I,” 1907, is at once the defining icon of Jugendstil, “young style” – Austria’s art nouveau, an embodiment of the period’s pinnacle of glamor, wealth, and aesthetic innovation, and above all an enduring testament to the triumph of good over evil.
(L-R): Neue Galerie in NYC; “Adele Bloch-Bauer I” and Woman in Gold movie poster
The painting’s rightful heir, Maria Altmann (1916-2011), niece of its’ subject, Klimt’s patron Adele Bloch Bauer, never gave up on her just claim despite seventy plus years of lies, cover-ups at the highest level of government, and devious legal wrangling intended to deprive her of her rights, ever since the painting was stolen by the Nazis. Continue reading She Never Gave Up: Mona Lisa of Austria in Triumph at the Neue Galerie
by Franklin Hill Perrell, Artful Circle
Our recent visit to Hauser and Wirth (511 W. 18) to see the exhibition of Sobodh Gupta yielded an unexpected surprise: the Friday and Saturday free espresso service at Roth’s New York Bar. If you didn’t know, the New York Bar is a permanent installation, in effect an art piece that does double duty as a functional bar. While in practice
this is not a liquor bar serving the public (though that would appear to be the theme, with actual liquor bottles on display) , it is a coffee bar- which purpose it certainly serves. A discrete sign indicates the availability of espresso on Fridays and Saturdays. I was able to secure a latte, and many other guests appeared in due course. Above all, however, it is a work of art and one that should be experienced as such.
Hauser and Wirth’s Chelsea Gallery, at approximately 25,000 square feet, is a second floor space, formerly the Roxy Discotheque-Roller Skating Rink. Continue reading A Visit to the Roth New York Bar at Hauser & Wirth in Chelsea