By Debbie Wells
When your parents name you Max Ernst Greis, it seems inevitable that you would choose a career in art. New York born and bred, he is a master of the art of collage and has invented a hybrid of techniques way beyond traditional cut and glued paper. From traditional painting to multi-media, he constructs scenes with architectural, industrial, military and natural imagery.
I met Max Greis this spring while on one of our Artful Circle classes. As Franklin was curating art gallery visits for our groups, he arranged for the artist to meet us at Pavel Zoubok Gallery in Chelsea to talk about his debut solo exhibition entitled Samsara.
Continue reading Artful Circle Artist Spotlight: Max Ernst Greis
by Franklin Hill Perrell
If you are traveling from New York City to points north, the Harness Racing Museum and Hall of Fame in Goshen, Orange County, NY, is worth a visit. Presently, they are featuring an exhibition of works by American artist Lumen Martin Winter. Winter (1908-1982), an artist of considerable renown, during his lifetime, is presently the focus of renewed interest. His art flourished in the period following the WPA when he began his career as a muralist, later exhibiting paintings and drawings at an impressive array of museums and galleries.
Lumen Martin Winter watercolors: Gift of Alexander Katlan in memory of Dr. Nathaniel R. & Lucille Katlan and Dr. Roberta Katlan Helfgott.
“The Spirit of the Horse” is the theme aptly chosen for this venue where a selection of Lumen Winter’s works (representing only one chapter of his oeuvre) exemplifies his verve of execution. In lively
Continue reading Art Exhibit at the Harness Racing Museum
By Debbie Wells
The Whitney Museum of American Art in Manhattan opened its new building to rave reviews and much excitement. To honor its founder, Gertrude Vanderbilt Whitney, an enchanting portrait adorns the entrance of one of the main floor galleries. Mrs. Whitney commissioned this work in 1916 from her friend Robert Henri. When Henri’s painting was finished, Harry Payne Whitney refused to allow her to hang it in their grand Fifth Avenue town house. The plaque in the museum explains: He didn’t want his friends to see a picture of his wife, as he put it, “in pants.” She is portrayed as a vibrant and stylish, yet forward-thinking – clearly someone ahead of her time. The painting intrigued me, so I decided to delve and learn more about her.
Robert Henri, Gertrude Vanderbilt Whitney, Oil on Canvas, 1916, Whitney Museum of American Art, Gift of Flora Whitney Miller, Courtesy of the Whitney Museum of American Art
Continue reading Beyond the Museum – Gertrude Vanderbilt Whitney Studio on Long Island